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共同应对气候问题

「Art on Climate」国际插画比赛

感谢各位热爱插画的人士支持及参与「Art on Climate」国际插画比赛，比赛已经圆满结束。

过去11周内，我们从全球不同地区共收到超过3,300份作品。

「创意、质量和艺术性」、「贴合主题」、「制作技巧」及「文字说明内容」为是次比赛的评审准则。

浏览以下的网上展览，了解比赛的得奖名单及其优胜作品。（只提供英文版本，请点击作品了解更多。）

插画组别

冠军

Unjust capitalism involves those who pursue wealth at the cost of environmental destruction. They wear masks that present them as cheerful, compassionate and environmentally conscious, while seeking the cleanest air, the cleanest environment and the finest plant, animal and aquatic life exclusively for themselves. Although the world faces the growing threat of pollution, these masked figures continue to seek the best living conditions and the finest climate solely for their own benefit.

PARISA RASOOLI
Unjust capitalism involves those who pursue wealth at the cost of environmental destruction. They wear masks that present them as cheerful, compassionate and environmentally conscious, while seeking the cleanest air, the cleanest environment and the finest plant, animal and aquatic life exclusively for themselves. Although the world faces the growing threat of pollution, these masked figures continue to seek the best living conditions and the finest climate solely for their own benefit.

PARISA RASOOLI

亞军

Before It Falls
Every falling tile pulls an entire world down with it: a glacier, a forest, a wetland alive with frogs and dragonflies. Ecosystems are not isolated elements, but fragile balances defined by critical thresholds. Once these thresholds are crossed, they can trigger an irreversible chain of collapse. It was the hand of man that set this fall in motion. Yet among the wavering tiles, other hands hold, plant and rebuild—none acting alone. Those who triggered the collapse are also the ones with the power to stop it. Resilience is not a single heroic gesture, but the sum of countless coordinated efforts: the only force capable of stopping the final tile from falling.

DEIANIRA D'ANTONI
Before It Falls
Every falling tile pulls an entire world down with it: a glacier, a forest, a wetland alive with frogs and dragonflies. Ecosystems are not isolated elements, but fragile balances defined by critical thresholds. Once these thresholds are crossed, they can trigger an irreversible chain of collapse. It was the hand of man that set this fall in motion. Yet among the wavering tiles, other hands hold, plant and rebuild—none acting alone. Those who triggered the collapse are also the ones with the power to stop it. Resilience is not a single heroic gesture, but the sum of countless coordinated efforts: the only force capable of stopping the final tile from falling.

DEIANIRA D'ANTONI

季军

Climate change and environmental destruction can often feel like events happening in distant places or in the far future. Yet they are already a reality. This work calls attention to the possibility that we, too, may one day lose our homes, just like the polar bears, and urges us to recognise the need for change.

MIZUKI IKUSHIMA
Climate change and environmental destruction can often feel like events happening in distant places or in the far future. Yet they are already a reality. This work calls attention to the possibility that we, too, may one day lose our homes, just like the polar bears, and urges us to recognise the need for change.

MIZUKI IKUSHIMA

优异奖

（排名不分先后）

In this illustration, a fish is surrounded by pieces of fabric and other waste discarded into the sea. As this waste gradually breaks down, it releases harmful pollutants into the water, reducing water quality and damaging the marine ecosystem. Many marine animals also mistake this waste for food and ingest it, which can cause serious harm and, in some cases, lead to death. This artwork highlights the importance of protecting our oceans and reminds us of our responsibility to preserve the environment for the future.

AHLAM FAEZ
In this illustration, a fish is surrounded by pieces of fabric and other waste discarded into the sea. As this waste gradually breaks down, it releases harmful pollutants into the water, reducing water quality and damaging the marine ecosystem. Many marine animals also mistake this waste for food and ingest it, which can cause serious harm and, in some cases, lead to death. This artwork highlights the importance of protecting our oceans and reminds us of our responsibility to preserve the environment for the future.

AHLAM FAEZ
To combat rising temperatures, sometimes all it takes is a step back. Often, even planting a flower can make a difference …

ALDO GIANNINI
To combat rising temperatures, sometimes all it takes is a step back. Often, even planting a flower can make a difference …

ALDO GIANNINI
This work portrays a small, metaphorical world enclosed beneath a glass dome, suspended between two possible futures. Outside, pollution and the climate crisis continue to spread, while within, the possibility of harmony between humanity and nature remains alive.
At the centre, three symbolic figures—Sun, Wind, and Nature—embrace one another, representing the unity of natural forces and the potential of renewable energy.
This fragile world stands as a reflection of our own: its future is shaped by the choices we make today.

ATIYEH ZEIGHAMI
This work portrays a small, metaphorical world enclosed beneath a glass dome, suspended between two possible futures. Outside, pollution and the climate crisis continue to spread, while within, the possibility of harmony between humanity and nature remains alive.
At the centre, three symbolic figures—Sun, Wind, and Nature—embrace one another, representing the unity of natural forces and the potential of renewable energy.
This fragile world stands as a reflection of our own: its future is shaped by the choices we make today.

ATIYEH ZEIGHAMI
This illustration depicts animals from cold climates gathering in the frozen food section of a supermarket, using it as a temporary refuge from the heat. At first glance, the scene may appear heart-warming, yet it carries a subtle sense of irony: the frozen food section has become the coolest place they can find. Through this contrast, the work invites viewers to reflect on the effects of climate change.

AYAKA AKAKURA
This illustration depicts animals from cold climates gathering in the frozen food section of a supermarket, using it as a temporary refuge from the heat. At first glance, the scene may appear heart-warming, yet it carries a subtle sense of irony: the frozen food section has become the coolest place they can find. Through this contrast, the work invites viewers to reflect on the effects of climate change.

AYAKA AKAKURA
This illustration explores how the loss of biodiversity and our growing dependence on digital technology are reshaping the way we perceive nature. Guided by instinct, a hummingbird mistakes a flower displayed on a smartphone for a real one. In the second panel, the broken screen reveals the illusion, yet the absence of real flowers remains. The work reflects on how direct experiences of nature are increasingly being replaced by digital representations. Yet no digital image can ever replace the real ecosystems on which every species depends.

BRYAN ROY SUAREZ FIGA
This illustration explores how the loss of biodiversity and our growing dependence on digital technology are reshaping the way we perceive nature. Guided by instinct, a hummingbird mistakes a flower displayed on a smartphone for a real one. In the second panel, the broken screen reveals the illusion, yet the absence of real flowers remains. The work reflects on how direct experiences of nature are increasingly being replaced by digital representations. Yet no digital image can ever replace the real ecosystems on which every species depends.

BRYAN ROY SUAREZ FIGA
This artwork depicts the hands of people of different skin colours from around the world coming together to protect the ecosystem. By integrating low-carbon architecture, renewable energy and technology, it symbolises climate transition and innovation. The harmonious coexistence of diverse species and ethnic groups presents a vision of biodiversity protection and a just transition. The work emphasises the importance of collaboration in creating a more harmonious and sustainable future.

CHEN PI YU
This artwork depicts the hands of people of different skin colours from around the world coming together to protect the ecosystem. By integrating low-carbon architecture, renewable energy and technology, it symbolises climate transition and innovation. The harmonious coexistence of diverse species and ethnic groups presents a vision of biodiversity protection and a just transition. The work emphasises the importance of collaboration in creating a more harmonious and sustainable future.

CHEN PI YU
This illustration presents a museum in which nature itself has become an object of preservation. Extinct species are displayed alongside an empty showcase labelled “Clean Air,” symbolizing the growing loss of a fundamental element that sustains all life. The fingerprint-shaped map marked “You Are Here” places humanity at the centre of this environmental crisis, while also reflecting our responsibility for the changes taking place on Earth. The surrounding maze represents the complexity of human choices and the difficult path we have created for ourselves. Through these elements, the work invites viewers to reflect on the value of protecting nature before what is essential becomes something we can only remember.

DELNYA MOHAMMADI
This illustration presents a museum in which nature itself has become an object of preservation. Extinct species are displayed alongside an empty showcase labelled “Clean Air,” symbolizing the growing loss of a fundamental element that sustains all life. The fingerprint-shaped map marked “You Are Here” places humanity at the centre of this environmental crisis, while also reflecting our responsibility for the changes taking place on Earth. The surrounding maze represents the complexity of human choices and the difficult path we have created for ourselves. Through these elements, the work invites viewers to reflect on the value of protecting nature before what is essential becomes something we can only remember.

DELNYA MOHAMMADI
Title: The Inheritance
Before knowledge was written in books, it was passed from one generation to the next through observation, patience, and shared labour. Inspired by the enduring African tradition of apprenticeship, this work depicts a grandmother carefully mending a living tapestry woven from forests, rivers, fertile soil, clean water, and open skies, while her granddaughter learns quietly at her side. The Earth is never inherited in perfect condition; it is placed in the care of each generation to restore, protect, and pass on. Every stitch becomes both an act of healing and a lesson in hope, resilience, and shared responsibility.

IDOWU ESTHER OYEYEMI
Title: The Inheritance
Before knowledge was written in books, it was passed from one generation to the next through observation, patience, and shared labour. Inspired by the enduring African tradition of apprenticeship, this work depicts a grandmother carefully mending a living tapestry woven from forests, rivers, fertile soil, clean water, and open skies, while her granddaughter learns quietly at her side. The Earth is never inherited in perfect condition; it is placed in the care of each generation to restore, protect, and pass on. Every stitch becomes both an act of healing and a lesson in hope, resilience, and shared responsibility.

IDOWU ESTHER OYEYEMI
Not My Business portrays the cascading consequences of climate change and deforestation. As forests disappear, displaced wildlife is forced together into an ever-growing living sphere that rolls relentlessly towards human homes. Inside, people remain absorbed in their own comfort, relying on air conditioning while appreciating nature only as decoration on their walls. The work challenges the illusion that biodiversity loss is “someone else’s problem,” reminding us that the consequences of ignoring nature today will inevitably become part of our own future.

IRAWAN NUGRAHA
Not My Business portrays the cascading consequences of climate change and deforestation. As forests disappear, displaced wildlife is forced together into an ever-growing living sphere that rolls relentlessly towards human homes. Inside, people remain absorbed in their own comfort, relying on air conditioning while appreciating nature only as decoration on their walls. The work challenges the illusion that biodiversity loss is “someone else’s problem,” reminding us that the consequences of ignoring nature today will inevitably become part of our own future.

IRAWAN NUGRAHA
Using “haircutting” as a metaphor for the energy transition, giant shears cut away the smokestacks of thermal power plants, transforming their exhaust emissions into net-zero clouds. The cloudscape reveals the low-carbon greenery of urban farms, where photovoltaic and wind power generation are integrated with both land and water. Through agricultural-electricity symbiosis and fish-electricity symbiosis, the work envisions a shared path towards a low-carbon and sustainable future.

KU AN
Using “haircutting” as a metaphor for the energy transition, giant shears cut away the smokestacks of thermal power plants, transforming their exhaust emissions into net-zero clouds. The cloudscape reveals the low-carbon greenery of urban farms, where photovoltaic and wind power generation are integrated with both land and water. Through agricultural-electricity symbiosis and fish-electricity symbiosis, the work envisions a shared path towards a low-carbon and sustainable future.

KU AN
Learning from Our Mistakes imagines a future in which rising seas have reshaped not only our cities, but also our values. Built upon the remains of a former skyscraper, this vertical community transforms adaptation into a shared way of life. Rainwater is collected, wind powers daily life, and gardens weave through every level, connecting neighbours with one another and with nature. At its heart, a classroom reminds us that resilience begins with learning. By sharing knowledge, food, and care, this community suggests that our greatest response to climate change lies not only in innovation, but also in our ability to grow together.

MARIWENN LEFEBVRE
Learning from Our Mistakes imagines a future in which rising seas have reshaped not only our cities, but also our values. Built upon the remains of a former skyscraper, this vertical community transforms adaptation into a shared way of life. Rainwater is collected, wind powers daily life, and gardens weave through every level, connecting neighbours with one another and with nature. At its heart, a classroom reminds us that resilience begins with learning. By sharing knowledge, food, and care, this community suggests that our greatest response to climate change lies not only in innovation, but also in our ability to grow together.

MARIWENN LEFEBVRE
This artwork represents humanity’s journey from environmental destruction towards a more sustainable future. A stone bridge, engraved with symbols of renewable energy, nature, and stewardship, connects a polluted world to another filled with thriving ecosystems and biodiversity. People from different backgrounds cross the bridge together, expressing the idea that addressing climate change is a shared responsibility. By protecting nature, embracing sustainable solutions, and respecting the planet’s limits, the work suggests that a healthier future can only be achieved through collective action and a commitment to leaving a better world for generations to come.

MARY VONGKAT
This artwork represents humanity’s journey from environmental destruction towards a more sustainable future. A stone bridge, engraved with symbols of renewable energy, nature, and stewardship, connects a polluted world to another filled with thriving ecosystems and biodiversity. People from different backgrounds cross the bridge together, expressing the idea that addressing climate change is a shared responsibility. By protecting nature, embracing sustainable solutions, and respecting the planet’s limits, the work suggests that a healthier future can only be achieved through collective action and a commitment to leaving a better world for generations to come.

MARY VONGKAT
This artwork symbolically explores how art and sustainable living can work together in response to environmental challenges. A girl rides a bicycle away from a smoke-filled, polluted city towards a brighter future, representing hope and positive change. Her bicycle represents clean and sustainable transportation, while the cat and heart-shaped sprouts suggest harmony between humans and nature. From her backpack, paintbrushes and flowing colours spill outward, transforming the grey city into a vivid landscape of blossoms, birds, and greenery. The artwork expresses the power of art to awaken environmental awareness, inspire responsible choices, and envision a healthier, more sustainable future for all.

MARZIEH TORAJI
This artwork symbolically explores how art and sustainable living can work together in response to environmental challenges. A girl rides a bicycle away from a smoke-filled, polluted city towards a brighter future, representing hope and positive change. Her bicycle represents clean and sustainable transportation, while the cat and heart-shaped sprouts suggest harmony between humans and nature. From her backpack, paintbrushes and flowing colours spill outward, transforming the grey city into a vivid landscape of blossoms, birds, and greenery. The artwork expresses the power of art to awaken environmental awareness, inspire responsible choices, and envision a healthier, more sustainable future for all.

MARZIEH TORAJI
When humanity turns to advanced technologies and planetary interventions to address the climate crisis, can we foresee all of their consequences?
This artwork imagines a future in which space mirrors are deployed to reflect sunlight and regulate Earth’s climate. Suspended above the planet, an astronaut represents humanity itself—observing and attempting to control the systems that sustain life. The layered Earth reveals how deeply interconnected these systems are, and how an intervention intended to cool the planet could also produce unintended consequences. The mirrors embody humanity’s power to intervene on a planetary scale. Ultimately, the work asks: Can we control nature without disturbing the balance we seek to protect?

MOHADESEH AL SADAT KHADEMOL HOSSEINI
When humanity turns to advanced technologies and planetary interventions to address the climate crisis, can we foresee all of their consequences?
This artwork imagines a future in which space mirrors are deployed to reflect sunlight and regulate Earth’s climate. Suspended above the planet, an astronaut represents humanity itself—observing and attempting to control the systems that sustain life. The layered Earth reveals how deeply interconnected these systems are, and how an intervention intended to cool the planet could also produce unintended consequences. The mirrors embody humanity’s power to intervene on a planetary scale. Ultimately, the work asks: Can we control nature without disturbing the balance we seek to protect?

MOHADESEH AL SADAT KHADEMOL HOSSEINI
Inspired by the camel’s hump as a symbol of evolutionary adaptation and the resilience of flamingos, this artwork reimagines the bird as an architect of survival. Its puzzle-shaped body reflects the interconnectedness of life, while the diatom within symbolises nourishment and the delicate balance of aquatic ecosystems.
Although flamingos typically lay a single egg and raise one chick, this mother nurtures many, becoming a symbol of collective responsibility and care. The green puzzle piece held in her beak represents a vital element of survival—carrying nourishment and hope for future generations. Like an unfinished puzzle, an ecosystem can only flourish through protection, repair, and collective care.

NAJMEH DELARA
Inspired by the camel’s hump as a symbol of evolutionary adaptation and the resilience of flamingos, this artwork reimagines the bird as an architect of survival. Its puzzle-shaped body reflects the interconnectedness of life, while the diatom within symbolises nourishment and the delicate balance of aquatic ecosystems.
Although flamingos typically lay a single egg and raise one chick, this mother nurtures many, becoming a symbol of collective responsibility and care. The green puzzle piece held in her beak represents a vital element of survival—carrying nourishment and hope for future generations. Like an unfinished puzzle, an ecosystem can only flourish through protection, repair, and collective care.

NAJMEH DELARA
This artwork transforms endangered wildlife into collectable toys displayed inside a retail cabinet, symbolising the commercialisation of nature and humanity’s role in the loss of biodiversity. Marketing phrases such as “Limited Edition,” “Sold Out,” and “Out of Stock” emphasise the growing rarity of wildlife caused by habitat destruction, pollution, climate change, and exploitation. The mother and child represent future generations who may one day encounter these animals only through replicas. Ultimately, the work asks, “How many more do we have to lose before we realise?” and urges society to choose conservation over profit before more species become fragments of memory.

ORVEN MARANTAN
This artwork transforms endangered wildlife into collectable toys displayed inside a retail cabinet, symbolising the commercialisation of nature and humanity’s role in the loss of biodiversity. Marketing phrases such as “Limited Edition,” “Sold Out,” and “Out of Stock” emphasise the growing rarity of wildlife caused by habitat destruction, pollution, climate change, and exploitation. The mother and child represent future generations who may one day encounter these animals only through replicas. Ultimately, the work asks, “How many more do we have to lose before we realise?” and urges society to choose conservation over profit before more species become fragments of memory.

ORVEN MARANTAN
This artwork imagines a future in which nature exists only within museums. The extinct tree, bee, polar bear, river, and other species symbolise the consequences of failing to protect our environment. It invites viewers to reflect on the loss of biodiversity, to feel a sense of responsibility and urgency, and to recognise that we still have the chance to act before this imagined future becomes reality.

SAEED AKHLAGHI
This artwork imagines a future in which nature exists only within museums. The extinct tree, bee, polar bear, river, and other species symbolise the consequences of failing to protect our environment. It invites viewers to reflect on the loss of biodiversity, to feel a sense of responsibility and urgency, and to recognise that we still have the chance to act before this imagined future becomes reality.

SAEED AKHLAGHI
At first glance, this painting appears to depict a beautiful blue landscape. Yet beneath the surface, cities and lives are being devastated by rising sea levels caused by global warming. In order to make a lasting impression, I portrayed the contradiction between outward beauty and the harsh reality.

TOMOMI MIURA
At first glance, this painting appears to depict a beautiful blue landscape. Yet beneath the surface, cities and lives are being devastated by rising sea levels caused by global warming. In order to make a lasting impression, I portrayed the contradiction between outward beauty and the harsh reality.

TOMOMI MIURA
The Sea We Left Behind, 130 × 97 cm, oil on canvas, sequins, 2026

A girl carrying numerous floats runs uphill towards the place where the water should be. But the sea has vanished, leaving behind a winding, seemingly endless landscape that resembles the surface of an unknown planet. These striking symbols of the summer vacation become an emblem of consumer society, which continues to pursue its desires even as the world around us changes irreversibly. The work explores the discrepancy between expectation and reality and raises the question of what kind of world we will leave to future generations.

VIKTORIIA UDALOVA
The Sea We Left Behind, 130 × 97 cm, oil on canvas, sequins, 2026

A girl carrying numerous floats runs uphill towards the place where the water should be. But the sea has vanished, leaving behind a winding, seemingly endless landscape that resembles the surface of an unknown planet. These striking symbols of the summer vacation become an emblem of consumer society, which continues to pursue its desires even as the world around us changes irreversibly. The work explores the discrepancy between expectation and reality and raises the question of what kind of world we will leave to future generations.

VIKTORIIA UDALOVA
In "Path of Sunlight", a young cyclist moves through the shadow of a smog-filled city, surrounded by heavy traffic and towering buildings. Within this bleak environment, only her path is illuminated by sunlight. The rabbit nestled in her hood and the flowerpot carried behind her symbolise a gentle coexistence between urban life and nature. By choosing a bicycle over cars, she shows that resilient communities can begin with individual choices. Even in the darkest times, small and conscious actions can illuminate the way forward.

ZAHRA MOZAFAR
In "Path of Sunlight", a young cyclist moves through the shadow of a smog-filled city, surrounded by heavy traffic and towering buildings. Within this bleak environment, only her path is illuminated by sunlight. The rabbit nestled in her hood and the flowerpot carried behind her symbolise a gentle coexistence between urban life and nature. By choosing a bicycle over cars, she shows that resilient communities can begin with individual choices. Even in the darkest times, small and conscious actions can illuminate the way forward.

ZAHRA MOZAFAR
动画视频组别

冠军

The future is shaped by the actions of every individual, no matter how small. Unlike previous generations, the next generation may experience the impacts of climate change more directly and profoundly. Through awareness, responsibility, and even the smallest meaningful actions, they have the power to become a source of hope and to help shape a more sustainable future for our planet.

MAHDI JALILI KIA
The future is shaped by the actions of every individual, no matter how small. Unlike previous generations, the next generation may experience the impacts of climate change more directly and profoundly. Through awareness, responsibility, and even the smallest meaningful actions, they have the power to become a source of hope and to help shape a more sustainable future for our planet.

MAHDI JALILI KIA

亞军

Environmental destruction and human conflict can often feel too overwhelming for any one person to change. This story is told through the eyes of a child who loses the world he once knew. A familiar tree stands as a silent witness to the devastation. Turning the clock back symbolizes humanity’s ability to change course before it is too late. The final sprout reminds us that even the smallest action can mark the beginning of recovery—if we choose to act while there is still time.

MARIA KUZMINYKH
Environmental destruction and human conflict can often feel too overwhelming for any one person to change. This story is told through the eyes of a child who loses the world he once knew. A familiar tree stands as a silent witness to the devastation. Turning the clock back symbolizes humanity’s ability to change course before it is too late. The final sprout reminds us that even the smallest action can mark the beginning of recovery—if we choose to act while there is still time.

MARIA KUZMINYKH

季军

Receipts, everyday symbols of consumption, are often discarded without a second thought. As they accumulate, they darken, turn into heat, and slowly begin to surround the Earth. What seems like a small and insignificant act becomes part of a much larger environmental cycle. The work reflects on how ordinary choices, repeated countless times across society, can collectively contribute to climate change. It asks us to reconsider the idea of waste: does what we throw away ever truly disappear, or does it return in another form, gradually reshaping the world we live in?

HIROMI UENO
Receipts, everyday symbols of consumption, are often discarded without a second thought. As they accumulate, they darken, turn into heat, and slowly begin to surround the Earth. What seems like a small and insignificant act becomes part of a much larger environmental cycle. The work reflects on how ordinary choices, repeated countless times across society, can collectively contribute to climate change. It asks us to reconsider the idea of waste: does what we throw away ever truly disappear, or does it return in another form, gradually reshaping the world we live in?

HIROMI UENO

恭喜所有得奖者！主办机构会以电邮通知得奖者有关奖项领取事宜。详情请浏览条款及细则。

比赛详情

促进创新理念 推动可持续转型

面对充满挑战的全球局势，可持续发展已成为实现长远稳健发展的关键所在。当下，市场已将焦点转向能够切实推动变革、守护生态环境的主动解决方案。要引领这场转型，我们必须重新审视资源管理与自然生态的保护方式。让我们携手共迎挑战、把握机遇，共同开创惠及子孙后代的可持续未来。

「Art on Climate」气候的艺术国际插画比赛由十点子有限公司主办、安联投资赞助，旨在将复杂的议题转化为具感染力的视觉叙事。我们现诚邀插画家及视频创作者，以独特视角探索气候变化议题，并通过此国际平台激发创新思维与实践方案。我们期望借着艺术的启发，鼓励大众将对环境的关注，转化为日常生活中的实际行动。

比赛主题： 气候变化
参赛资格： 18岁或以上*所有地区人士均可参与
报名时间︰ 2026年5月18日7月31日（包括首尾两天）
公布得奖名单︰ 2026年9月30日前
奖项︰ 有机会赢取高达2,000欧元*
参赛费用︰ 免费

* 详情请浏览条款及细则。

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比赛详情

自2019年在西班牙首次举办以来，「Art on Climate」气候的艺术国际插画比赛已由区域性项目，发展为全球瞩目的年度盛事。过去七年间，此赛事已成为全球创作者践行环境尽职治理的重要舞台。2025 年，赛事影响力再创新高，共吸引来自100个地区、2,600多位艺术家热烈响应，征集作品及影片数量更突破3,500件，刷新历年纪录。展望未来，比赛将持续深化在亚太区的影响力，汇聚资深与新锐创意人才，以艺术力量驱动实际的气候行动。

安联投资拥有二十余年可持续投资领域的领先经验，从 ESG 领域的先行者，成长为全球气候转型的积极推动者。作为2007年首批签署联合国责任投资原则（UN PRI）的机构之一，我们不仅将可持续发展纳入投资决策，更积极引导资金投向具体解决方案，以构建强韧未来。如今，我们核心使命在于“创造真实世界影响力” — 通过主动尽职治理与影响力投资，为客户及全球社会缔造长远价值。我们诚邀您参与「Art on Climate」气候的艺术国际插画比赛，与我们共同构建可持续发展的蓝图。

比赛主题

参赛者须以”气候变化”为主题，提交原创作品，并须参考以下一个或多个主题进行构思：

  1. 推动气候转型，共创稳健社区
    气候变化已不再是遥不可及的风险，而是推动全球主动转型的催化剂。为确保长期稳定，我们不能只停留在识别威胁的层面，更要通过资金支持与方案落地，建设更具韧性的社区。本主题探讨我们如何把握这个「关键时刻」，将气候挑战转化为可持续增长与社区发展的新机遇。
  2. 尊重地球边界，守护生物多样性
    为维护环境稳定，我们必须在地球环境承载限度内发展。本主题聚焦于保护自然资本，并致力扭转生物多样性流失的趋势。通过恪守地球生态边界，我们方能推动低碳经济转型，并守护至关重要的生态平衡，避免顾此失彼，从而构建一个自然与人类和谐共生、蓬勃发展的未来。
  3. 践行包容性资本主义，实现公正转型
    可持续发展必须兼具包容性，才能创造持久价值，确保减碳转型的过程中兼顾社会稳定。包容性资本主义追求在财务回报与 “公正转型” 之间取得平衡 —— 在迈向绿色经济的过程中，为所有人创造公平机会与社会价值。本主题诚邀创作者描绘出理想愿景：通过可持续投资，构建一个既符合环境效益，又兼顾社会共融的社会。
  4. 为创新与技术提供融资，创造实际影响力
    科技与创新是推动全球经济迈向可持续发展的核心动力。通过将资金配置到突破性的环境解决方案，我们能够加快全球减碳进程。本主题聚焦于具影响力的创新科技，如何弥合当前气候现况与净零未来之间的差距。
  5. 团结合作，共建可持续传承
    要实现可持续未来，不仅需要个人努力，更需凝聚全球各方，共同落实一致行动与承诺。通过将投资决策、企业治理，以及日常实践紧密连系，我们能够推动守护地球所需的系统性转型。本主题聚焦于集体责任的力量，致力为下一代守护繁荣、稳定的可持续未来。
作品要求
  • 参赛作品必须为参赛者以个人名义提交的原创作品，并须配合比赛主题
  • 每名参赛者最多可提交三份参赛插画及三支动画视频
  • 参赛作品不得于参加本比赛前被发表或作其他用途，不得曾获奖项、或正在参加其他比赛评选
  • 不可于作品上添加签名，或任何能识别参赛者身份的文字、符号、图片，或适用于动画视频的旁白
  • 每份插画及动画视频请提交一段文字说明（最少30字，最多100字）

插画组别

  • 参赛作品必须为彩色平面
  • 创作媒介不限（如手绘、电脑绘画、混合素材），但不接受任何使用人工智能生成的创作，禁止使用照片或电脑软件上的图案/剪贴画（clip art）
  • 参赛作品的尺寸必须为A3（297毫米x 420毫米），直、横式均可
  • 参赛作品格式必须为JPG，分辨率不低于300 dpi，文件大小不超过10MB

动画视频组别

  • 参赛动画视频时长需控制在 10 至 15 秒之间
  • 长宽比为9:16（垂直格式，分辨率最低要求为1080x1920像素)，或 1:1（方形格式，分辨率最低要求为1080x1080像素)
  • 参赛作品必须以 MP4 或 MOV 格式上传，且每部动画视频的总文件大小不可超过 30MB。
  • 可以使用任何制作技术或工具，但作品必须保证原创性
  • 视频应该配备背景音乐，且所用音乐不得涉及版权问题
  • 不可添加旁白。影片上的任何文字（包括但不限于字幕、副标题等）都必须使用英文
评审团
游勇先生
十点子有限公司
董事

游勇先生为十点子有限公司创办人、”Art on Climate”国际插画比赛的主办机构负责人。

邹超先生
新加坡亚洲艺术协会
主席

邹超，毕业于新加坡国立大学李光耀公共政策学院，曾在网易、腾讯等知名互联网公司工作，目前担任新加坡亚洲艺术协会主席。他将自己的多元背景与对艺术的热爱相结合，致力于推动“生活中处处是艺术”的理念。他深信，艺术不应局限于画廊和舞台，而应渗透到我们日常生活的方方面面，成为生活的一部分，激发人们对美的感知与追求，并推动社会进步。

刘绍增先生
香港插画师协会
专业会员

Benny Lau 是一位屡获殊荣的设计师，涉猎多个领域，既是一位经验丰富的绘本画师，也是独具创意的绘本作者。

Benny 还是一位活跃的创意教育工作者和社会创新设计师，他是”澳门儿童馆”的共同创办人，也创立了”好一天绘本见”社区发展项目。

刘睿龙先生
台湾插画师协会
理事长

刘睿龙先生为台湾插画师协会及亚洲插画协会理事长、台湾知名插画家，致力推广插画艺术。他从2015年起作为总召集人举办”亚洲插画年度大赏”，该展览由台北华山文创园区开始，到台中、台南、桃园，以至神户、吉隆坡和上海等地，已成为亚洲插画界首屈一指的盛事之一。

刘祉君女士
祉涧视觉艺术工作室
创办人

刘祉君，一个建造奇幻世界的插画师。

她在上海成立了自己的工作室 – 祉涧视觉艺术工作室，主营广告插图、主视觉插图、概念插图等插画设计，以及插画为主的品牌视觉设计。

评审准则
插画组别
50 分
创意、质量和艺术性
40 分
贴合主题
10 分
文字说明内容
动画视频组别
40 分
创意、质量和艺术性
40 分
贴合主题
10 分
制作技巧
10 分
文字说明内容
奖项及展览

所有得奖者将通过电子邮件获发订制的电子奖状

优胜插画作品及动画视频将于网上作品展中展出

插画组别#
x1
冠军
电子奖状及奖金2,000欧元
x1
亚军
电子奖状及奖金1,500欧元
x1
季军
电子奖状及奖金1,000欧元
x20
优异奖
电子奖状及奖金150欧元
动画视频组别^
x1
冠军
电子奖状及奖金2,000欧元
x1
亚军
电子奖状及奖金1,500欧元
x1
季军
电子奖状及奖金1,000欧元

# 评审团将根据总分为100分的评分标准，选出最高分数的23名得奖者，当中最高分数者将依次获得冠军、亚军和季军，其余20名将获优异奖

^ 评审团将根据总分为100分的评分标准，选出最高分数的3名得奖者，当中最高分数者将依次获得冠军、亚军和季军



立即报名及上传作品

如有任何疑问，请联络主办机构 – 十点子有限公司︰artonclimate@fingertips.hk

比赛条款及细则
  1. 参赛者必须在报名表格上提供真实和正确的资料，如被认为有失实或遗漏，十点子有限公司（”主办机构”）保留权利取消其参赛作品的参赛资格。
  2. 参赛者于2026年5月17日当日的年龄须为18岁或以上，才符合参赛资格。
  3. 安联环球投资亚太有限公司（”赞助机构”）及／或其关联公司、主办机构及／或其关联公司的员工，及与该等员工居住在同一住所的人士，均不能参赛。
  4. 参赛作品必须为参赛者以个人名义提交及从未发表的原创作品。如参赛作品被主办机构认为涉及抄袭、著作版权侵犯及／或违法行为，其参赛资格将被取消。
  5. 主办机构保留全权及绝对酌情权作出判断，如参赛作品包含危险、粗俗、冒犯、不雅、淫秽、非法、种族主义、色情、暴力、诽谤、贬低、不适当、有争议，或政治宣传的内容，将被取消参赛资格。
  6. 参加比赛的风险由参赛者自行承担。在法律允许的范围内，主办机构和赞助机构均不会对参赛者或任何第三方，因由比赛引起或相关，及／或因接受奖品而遭受的任何损害、损失、责任、成本、费用或索赔（无论是合同、侵权或其他方式）承担任何责任。
  7. 参赛费用全免，惟所有涉及之制作及提交作品等费用一概由参赛者承担。
  8. 每名参赛者最多可提交三份插画作品及三支动画视频，但最多只能获得其中一项奖项。额外提交或逾期提交的作品将不获受理。
  9. 作品一经提交，任何情况下均不能更换。
  10. 不完整、难以辨认、误导或逾期提交的参赛作品将不获受理。发送证明不会被视为送达或收据的证明。对于不完整、由于技术原因丢失、损坏、延迟、错误提交或因任何原因未收到的参赛作品，主办机构不承担任何责任。
  11. 如主办机构认为参赛者显然以任何方式规避上述条款及细则，例如但不限于使用多个电子邮件帐户、多次复制或电脑合成作品、使用多个身份、欺诈性地伪造数据、涉及欺诈或不诚实行为，或以其他方式违反条款及细则，参赛者将被取消参赛资格，任何获得奖品的权利将无效。
  12. 比赛结果以评审团之最后决定为准，参赛者不得异议。主办机构保留全权及绝对酌情权，以撤销参赛者或参赛作品的参赛资格，及／或撤回奖品。
  13. 比赛结果将于2026年9月30日或之前公布，主办机构将通过参赛者在报名时提供的电子邮箱地址通知得奖者。参赛者须提供有效电子邮箱地址，这是主办机构联络参赛者的唯一渠道，参赛者应注意检查其电子邮箱收件箱（包括垃圾邮件和广告邮件文件夹）。
  14. 奖品将以欧元，以现金形式，透过电汇发放至得奖者的银行帐户。当主办机构向得奖者发出电邮通知，得奖者须于该电邮日期的一个月内，向主办机构提供以下资料：身份证明文件副本，以及得奖者为帐户唯一持有人的银行帐户资料。如得奖者未能在此期限内提供所需资料，该得奖者将被视为放弃奖品，主办机构保留撤回奖品的权利。现金奖品将在主办机构收到所有所需资料后两星期内汇入上述银行帐户。
  15. 得奖者有责任在提供接受奖品资料时，提交正确及最新的详细资料。对于任何因得奖者未能提供准确资料而影响奖品接收或发放的情况，主办机构或赞助机构均不会承担任何责任。
  16. 现金奖品将以欧元发放，得奖者须提供以欧元计价帐户的资料，以获得现金奖品。否则，欧元现金奖品将以汇款当日应用的汇率，兑换成得奖者银行帐户的计价货币，因此，有可能会受汇率波动、税项及其他适用的费用和收费影响。
  17. 主办机构将负担汇款费用，惟得奖者将负担（如有）其他相关费用和税金、帐户所属银行收取的衍生费用，及其他银行所在地因相关财务程序产生的费用。主办机构将在完成汇款后通知得奖者，但得奖者收取现金奖品的时间可能取决帐户所属银行的处理流程和其所在地的财务程序。
  18. 主办机构保留权利核实得奖者并要求提供身份、年龄、地址和其他资料证明，并在有合理理由认为存在违反条款及细则的情况下撤回奖品。
  19. 主办机构、赞助机构，及其关联公司保留权利将提交的作品全部或部分复制、发布、或使用，包括但不限于推广宣传、展览、教育用途，而毋须取得参赛者之同意或缴付任何费用。
  20. 参赛者同意其作品，以及其姓名及所提交的文字说明，可能会于网上作品展中供公众浏览，而不会获缴付任何费用。
  21. 参赛者参加比赛，即授权主办机构、赞助机构及其关联公司在全球范围内，有永久的、不可撤销的、非独占的、可转让的、免版税的、可转授的权利和许可，以使用、复制、修改、改编、发布或展示（全部或部分）其作品中包含的任何知识产权，而无需版税、付款或其他补偿。每位参赛者均同意不再主张对此类使用享有任何精神权利，并保证他们拥有授予此等权利的全部权利。
  22. 主办机构保留解释及修订比赛规则，和条款及细则的权利，而毋须作事先通知。
  23. 参赛作品一经递交，即表示参赛者同意遵守比赛的条款及细则。
  24. 所收集之个人资料只供比赛之用，包括但不限于联络参赛者及发放奖品，资料（包括参赛者的个人资料）将由主办机构于比赛结束后保留六个月，之后会被销毁。
  25. 如果发生超出主办机构合理控制范围并妨碍主办机构遵守条款和细则的行为、遗漏、事件或情况，主办机构将不对任何未能履行或延迟履行其义务承担责任。
  26. 对于系统错误或其他可能导致接收参赛作品及／或向得奖者发送通知或奖品的中断、延迟或失败的问题，主办机构不承担任何责任。
  27. 如本条款及细则的任何条款被确定为非法、无效或无法执行，则应将其从本条款及细则中分离和删除，其余条款及细则将继续有完全效力。
  28. 主办机构和赞助机构保留权利，在其合理控制范围以外的任何不可预见情况或技术原因下，取消、修改、撤回、终止或暂时中止比赛，而毋须对任何参赛者或第三方承担任何责任。
  29. 如条款与细则与任何其他通讯（包括但不限于广告或推广材料）有任何冲突或不一致，将以条款及细则为准。参赛者将被视为已接受并受此等条款及细则所约束。
  30. 如条款及细则的英文版本与其他翻译版本存有歧异，均以英文版本为准。
  31. 如比赛引发的任何争议（包括但不限于有关条款及细则的解释和适用的争议），主办机构的决定将是最终的、决定性的和具有约束力。
  32. 比赛和条款及细则，以及由此产生的任何争议，均受香港法律和香港法院的非专属管辖。


Terms and conditions
  1. Participants must provide true and accurate information on the entry form. Fingertips Company Limited (the “Organiser”) reserves the right to disqualify any entries in cases where, in our opinion, any information provided is inaccurate or has been omitted.
  2. To be eligible for participation, participants must be aged 18 or above as of 17 May 2026.
  3. Employees of Allianz Global Investors Asia Pacific Limited (the “Sponsor”) and/ or its affiliates, the Organiser and/ or its affiliates, and all those living in the same households as those employees are not eligible to participate in the competition.
  4. All entries must be original, submitted on an individual basis, and have not been previously published on any occasion. An entry will be disqualified if the participant is considered by the Organiser to have committed plagiarism, infringement of copyrights and/or violation of any laws.
  5. Any entries that the Organiser considers, in its sole and absolute discretion, that it contains material that is dangerous, vulgar, offensive, indecent, obscene, illegal, racist, pornographic, violent, defamatory, disparaging, inappropriate, controversial or that promotes political interests will be disqualified.
  6. Entry into the competition is at the participant’s sole risk. To the extent permitted by law, none of the Organiser and the Sponsor accepts any responsibility for any damage, loss, liabilities, costs, expenses or claims (whether in contract, tort or otherwise) suffered by participants or any third parties arising out of or in connection with the competition and/or accepting a prize.
  7. No entry fee is required. However, participants are solely responsible for all expenses incurred in preparing and submitting their work(s).
  8. Each participant may submit up to a maximum of three (3) illustrations and three (3) animated videos, but would only be entitled to one of the prizes. Additional or late entries will not be accepted.
  9. No substitution of work will be allowed under any circumstances once the entry has been submitted to the competition.
  10. Incomplete, illegible, misdirected or late entries will not be accepted. Proof of sending will not be accepted as proof of delivery or receipt. No responsibility can be accepted for entries that are incomplete, lost due to technical reasons, corrupted, delayed, wrongly delivered, or not received for whatsoever reason.
  11. If it becomes apparent that a participant is using any means to circumvent the above conditions such as, and without limitation, multiple email accounts, multiple reproduced or computer-generated entries, using multiple identities, fraudulently falsifying data, acting fraudulently or dishonestly in the opinion of the Organiser or otherwise acting in violation of these Terms and Conditions, these participants will be disqualified, and any prize entitlement will be void.
  12. The results of the competition are subject to the final decision of the panel of judges. No objections by participants will be entertained. The Organiser retains the right at its sole and absolute discretion to revoke the participants’ or their works’ qualifications and/or withdraw their prizes.
  13. The result of the competition will be announced by 30 September 2026 and the Organiser will notify the winners by email via the email address provided by the participant at the point of entry. Participants must provide a valid email address as this is the sole channel for the Organiser to contact the participants. Participants should check their email inbox (including the junk and spam mail folders).
  14. The prize will be presented in form of cash in Euro by wiring to the winners’ bank account. Once the Organiser has sent out notifications of prize-winners by email, the winners need to provide the following information to the Organiser within one (1) month from the date of the Organiser’s email: a copy of their identification document together with the bank account details of an account where the winners are the sole account holders. If a winner fails to provide the required information within this timeframe, such winner will be deemed to have waived the entitlement to the prize and the Organiser reserves the right to withdraw prize entitlement. Once the Organiser has received all the required information, the cash prize will be remitted to the bank account mentioned above within 2 weeks.
  15. It is the responsibility of a winner to provide correct, up-to-date details when providing their information for the acceptance of the prize. None of the Organiser or the Sponsor can be held responsible for any winners failing to supply accurate information which affects prize acceptance or delivery of their prize.
  16. The cash prize will be issued in Euros. Winners should provide details of their bank account denominated in Euro to receive the cash prize. Otherwise, the cash prize in Euros will be converted into the denominating currency of the winners’ bank account at the exchange rate applicable on the date of the remittance and may therefore be subject to exchange rate fluctuations, taxes and other applicable fees and charges.
  17. The Organiser will be responsible for all remittance fees, while the winners will be responsible for, if any, other relevant fees and taxes, derivative costs charged by the account holding bank and other charges arising from the relevant financial procedures in the location of the bank. The Organiser will notify winners when the remittance process has been completed, but the time at which winners receive their cash prize may be subject to the administration process of the account holding bank and the financial procedures operating in their specific locations.
  18. The Organiser reserves the right to verify winners and ask for proof of identity, age, address and other information provided by the participants and to withdraw prize entitlement where there are reasonable grounds to believe there has been a breach of these Terms and Conditions.
  19. The Organiser, the Sponsor and their affiliates reserve the right to copy, publicise or make use of the submitted works in full or in part and in any form, including but not limited to promotion, exhibition, education purposes, without the consent of the participants or payment of fees of any kind.
  20. Participants agree that their works may be put on display in a virtual exhibition for public viewing, together with their names and the short description provided without any fee being payable.
  21. By entering the competition, each participant grants the Organiser, the Sponsor and their affiliates a world-wide, perpetual, irrevocable, non-exclusive, transferable, royalty free and sub-licensable right and licence to use, reproduce, modify, adapt, publish or display (in whole or in part) any intellectual property contained in the content of their works, without royalty, payment or other compensation. Each participant agrees not to assert any moral rights in relation to such use and warrants that they have full authority to grant such rights.
  22. The Organiser reserves the right to interpret and amend the rules, and the Terms and Conditions of the competition, without prior notice.
  23. Upon submission of entries, participants agree to abide by the Terms and Conditions of the competition.
  24. All information collected by the Organiser is for the purpose of the competition only, including but not limited to, contacting participants and distributing prizes. The information (including the personal information of participants) will be kept for six (6) months by the Organiser after the end of the competition, after which it will be deleted.
  25. If an act, omission, event or circumstance occurs which are beyond the reasonable control of the Organiser and which prevents the Organiser from complying with these Terms and Conditions, the Organiser will not be liable for any failure to perform or delay in performing its obligation.
  26. The Organiser accepts no responsibility for system errors or other issues that may result in disruption to, delay or failure in receiving entries and/or sending notifications or prizes to winners.
  27. If any clause of these Terms and Conditions should be determined to be illegal, invalid or otherwise unenforceable then it shall be severed and deleted from these Terms and Conditions and the remaining clauses shall survive and remain in full force and effect.
  28. The Organiser and the Sponsor reserves the right to cancel, amend, withdraw, terminate or temporarily suspend this competition in the event of any unforeseen circumstances or technical reason outside their reasonable control, with no liability to any applicants or third parties.
  29. These Terms and Conditions prevail in the event of any conflict or inconsistency with any other communications, including without limitation, advertising or promotional materials. Participants will be deemed to have accepted and be bound by these Terms and Conditions.
  30. In the event of any inconsistency between the English and translated versions in these Terms and Conditions, the English version will prevail.
  31. In the event of any dispute in respect of or arising from the Competition (including without limitation, dispute concerning the interpretation and application of these Terms and Conditions), the decision of the Organiser will be final, conclusive, and binding.
  32. The competition and these Terms and Conditions, and any disputes arising therefrom, shall be subject to Hong Kong law and the non-exclusive jurisdiction of the Hong Kong courts.

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