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共同应对气候问题

「Art on Climate」国际插画比赛

感谢各位热爱插画的人士支持及参与「Art on Climate」国际插画比赛，比赛已经圆满结束。

过去10周内，我们从全球不同地区共收到超过3,500份作品。

「创意、质量和艺术性」、「贴合主题」、「制作技巧」及「文字说明内容」为是次比赛的评审准则。

浏览以下的网上展览，了解比赛的得奖名单及其优胜作品。（只提供英文版本，请点击作品了解更多。）

插画组别

冠军

The Earth is boiling like a giant pot, yet it remains the home for both humans and all inhabitants. Forests and mountains are where animals belong, just as cities are where we live. As our world heats up, what have we lost along the way? Who has been forced to leave their home? There is still hope if we choose to protect our home together.

PO WEN HSIN
The Earth is boiling like a giant pot, yet it remains the home for both humans and all inhabitants. Forests and mountains are where animals belong, just as cities are where we live. As our world heats up, what have we lost along the way? Who has been forced to leave their home? There is still hope if we choose to protect our home together.

PO WEN HSIN

亞军

"Remember the past. Shape the future."
In a world where destruction feels permanent, I wanted to capture a fragile vision - a memory, or perhaps a possibility.
This piece explores the tension between what we have lost and what we still might save.
The image within the torn paper is not a fantasy.
It is what once existed, and what can be again if we choose to act.
Hope is not a passive wish, it is something we build with our hands, like art.

FAHIMEH AZAD
"Remember the past. Shape the future."
In a world where destruction feels permanent, I wanted to capture a fragile vision - a memory, or perhaps a possibility.
This piece explores the tension between what we have lost and what we still might save.
The image within the torn paper is not a fantasy.
It is what once existed, and what can be again if we choose to act.
Hope is not a passive wish, it is something we build with our hands, like art.

FAHIMEH AZAD

季军

The fight against climate change is a shared mission that requires a unified effort from all inhabitants of our planet. This includes not only humans but also animals, who are equally impacted by global warming. We must learn to live in harmony with nature and work together to build a safe and sustainable future for ourselves, for future generations, and for all the creatures that co-exist with us. The illustration depicts animals and humans working side by side on a joint rescue mission, boarding hot air balloon ships that will navigate towards a hopeful and sustainable future.

TOMOYO HIROISHI
The fight against climate change is a shared mission that requires a unified effort from all inhabitants of our planet. This includes not only humans but also animals, who are equally impacted by global warming. We must learn to live in harmony with nature and work together to build a safe and sustainable future for ourselves, for future generations, and for all the creatures that co-exist with us. The illustration depicts animals and humans working side by side on a joint rescue mission, boarding hot air balloon ships that will navigate towards a hopeful and sustainable future.

TOMOYO HIROISHI

优异奖

（排名不分先后）

"I Hear You"
The artwork depicts a young girl gently holding the Earth, her ear resting against it as if listening to its pain. She hears the planet’s silent cries and begins to mend its cracks with a yellow thread. This symbolic image captures the deep emotional connection between humans and the Earth, reminding us that we can choose to heal rather than harm. The vivid background, with blooming flowers and warm colors, speaks of hope and renewal. The artwork suggests that when we truly listen to our planet, even small acts of care can inspire powerful change.

ALONA ZINCHENKO
"I Hear You"
The artwork depicts a young girl gently holding the Earth, her ear resting against it as if listening to its pain. She hears the planet’s silent cries and begins to mend its cracks with a yellow thread. This symbolic image captures the deep emotional connection between humans and the Earth, reminding us that we can choose to heal rather than harm. The vivid background, with blooming flowers and warm colors, speaks of hope and renewal. The artwork suggests that when we truly listen to our planet, even small acts of care can inspire powerful change.

ALONA ZINCHENKO
This illustration depicts a nuclear power plant where one of its chimneys takes the shape of a vase, inside which fragile flowers, a symbol of life, try to bloom. However, the heat and toxicity of the environment cause them to wilt, revealing the contradiction between progress and the limits of nature. This illustration thus invites reflection on the invisible impacts of industrial development and the dangers of exceeding planetary boundaries. Beauty cannot survive when cultivated in unsustainable or toxic environments.

ANA FILIPA SUBTIL CARVALHO
This illustration depicts a nuclear power plant where one of its chimneys takes the shape of a vase, inside which fragile flowers, a symbol of life, try to bloom. However, the heat and toxicity of the environment cause them to wilt, revealing the contradiction between progress and the limits of nature. This illustration thus invites reflection on the invisible impacts of industrial development and the dangers of exceeding planetary boundaries. Beauty cannot survive when cultivated in unsustainable or toxic environments.

ANA FILIPA SUBTIL CARVALHO
The illustration depicts humans indulging in cool comfort as the scorching heat from the giant air conditioner transforms into a raging wildfire, forcing forest creatures to flee their homes. This reflects the conflict between human convenience and the ecosystem, urging people to realise that every degree of coolness fuels distant wildfires that will ultimately cause catastrophic climate change and devastate the planet.

CHAN MEI TOU
The illustration depicts humans indulging in cool comfort as the scorching heat from the giant air conditioner transforms into a raging wildfire, forcing forest creatures to flee their homes. This reflects the conflict between human convenience and the ecosystem, urging people to realise that every degree of coolness fuels distant wildfires that will ultimately cause catastrophic climate change and devastate the planet.

CHAN MEI TOU
A group of penguins crosses a desolate landscape, only to be greeted by a billboard advertising a “100% Penguin Friendly” detergent. The cheerful slogan is a hollow promise in a world without ice.

The very thing they were promised would be protected is what we have destroyed.

CHEN YING YU
A group of penguins crosses a desolate landscape, only to be greeted by a billboard advertising a “100% Penguin Friendly” detergent. The cheerful slogan is a hollow promise in a world without ice.

The very thing they were promised would be protected is what we have destroyed.

CHEN YING YU
"Paws for Our Planet" illustrates the power of a united front. A diverse community of felines, each unique in their own way, links paws to form a powerful vortex of shared purpose. This interconnected web of action shows that when we come together, we can build a formidable and swirling momentum needed to tackle the escalating climate crisis.

CHEUNG SHUN MAN
"Paws for Our Planet" illustrates the power of a united front. A diverse community of felines, each unique in their own way, links paws to form a powerful vortex of shared purpose. This interconnected web of action shows that when we come together, we can build a formidable and swirling momentum needed to tackle the escalating climate crisis.

CHEUNG SHUN MAN
I imagined a world melting away, where a lone penguin stands on cracking ice, waiting. On the other side, a group of people, bound together, reach out, their hands tied yet hopeful. The ropes? They’re not just restraints. They’re the ties that remind us we’re all connected, to nature, to this moment.
This image came from a question that haunts me: Will we act together, or will we let the distance grow?
It’s my way of saying that climate change isn’t someone else’s story; it is ours, and we must write the next chapter together.


ELNAZ MASROUR
I imagined a world melting away, where a lone penguin stands on cracking ice, waiting. On the other side, a group of people, bound together, reach out, their hands tied yet hopeful. The ropes? They’re not just restraints. They’re the ties that remind us we’re all connected, to nature, to this moment.
This image came from a question that haunts me: Will we act together, or will we let the distance grow?
It’s my way of saying that climate change isn’t someone else’s story; it is ours, and we must write the next chapter together.


ELNAZ MASROUR
This painting reimagines the classic image of polar bear on melting ice. Arctic animals gaze at a hologram of their ancestors thriving in a vibrant natural world. While 2025 feels like the present, the artwork questions whether we've truly considered our distant future - where ecosystems have collapsed from global warming. The artist uses dark humour and deliberate exaggeration - like a spaceship serving as an artificial ecosystem - to deliver its warning. Playful yet profound, this surreal vision portrays a potential future for Earth: a planet devoid of natural life.

FATEMA MOHEQI
This painting reimagines the classic image of polar bear on melting ice. Arctic animals gaze at a hologram of their ancestors thriving in a vibrant natural world. While 2025 feels like the present, the artwork questions whether we've truly considered our distant future - where ecosystems have collapsed from global warming. The artist uses dark humour and deliberate exaggeration - like a spaceship serving as an artificial ecosystem - to deliver its warning. Playful yet profound, this surreal vision portrays a potential future for Earth: a planet devoid of natural life.

FATEMA MOHEQI
The Keepers salvage every piece of plastic they find on the beach, assembling it into a towering house that steadily climbs toward the sky. The illustration was drawn by hand and coloured digitally.

HELENA BONASTRE RODRIGUEZ
The Keepers salvage every piece of plastic they find on the beach, assembling it into a towering house that steadily climbs toward the sky. The illustration was drawn by hand and coloured digitally.

HELENA BONASTRE RODRIGUEZ
“Drowned by Our Own Waste”
This illustration explores the metaphor of humanity drowning in the pollution it has created. The artwork depicts a human figure overwhelmed and entangled in plastic waste, tangled wires, and marine debris — a visual representation of how environmental negligence not only harms nature but ensnares us as well. The piece reflects the theme of Ecological Limits, calling for a collective awakening toward responsibility and sustainable action.

HONG NGOC NGUYEN THI
“Drowned by Our Own Waste”
This illustration explores the metaphor of humanity drowning in the pollution it has created. The artwork depicts a human figure overwhelmed and entangled in plastic waste, tangled wires, and marine debris — a visual representation of how environmental negligence not only harms nature but ensnares us as well. The piece reflects the theme of Ecological Limits, calling for a collective awakening toward responsibility and sustainable action.

HONG NGOC NGUYEN THI
Long periods of drought, as a result of climate change, are becoming increasingly common in our planet. Without the latest technology and the implementation of new inventions that will help nature survive, all of us will be seriously threatened by famine.

IZABELA KOWALSKA-WIECZOREK
Long periods of drought, as a result of climate change, are becoming increasingly common in our planet. Without the latest technology and the implementation of new inventions that will help nature survive, all of us will be seriously threatened by famine.

IZABELA KOWALSKA-WIECZOREK
While climate change is primarily caused by human activities, such as factory emissions and solid waste, we often overlook how serious it could be. This illustration depicts a worst-case scenario of water scarcity where humans and animals have to compete for every last drop of water. To survive the extreme weather and dehydration, humans have evolved cactus-like heads. The affected animals retaliate by attacking humans who caused this crisis. I hope this unsettling drawing will raise our awareness: Who is the cause? And who will pay the price?

LAM HIU MING
While climate change is primarily caused by human activities, such as factory emissions and solid waste, we often overlook how serious it could be. This illustration depicts a worst-case scenario of water scarcity where humans and animals have to compete for every last drop of water. To survive the extreme weather and dehydration, humans have evolved cactus-like heads. The affected animals retaliate by attacking humans who caused this crisis. I hope this unsettling drawing will raise our awareness: Who is the cause? And who will pay the price?

LAM HIU MING
This artwork shows a harsh criticism of a self-sustaining cruise ship that has been transformed into an ecological oasis. Inside, vegetable gardens, solar panels, and yoga classes form a strong contrast with an outside world devastated by the environmental crisis. It highlights the illusions of sustainability and extreme privilege.

MARTIN FIGUEREDO
This artwork shows a harsh criticism of a self-sustaining cruise ship that has been transformed into an ecological oasis. Inside, vegetable gardens, solar panels, and yoga classes form a strong contrast with an outside world devastated by the environmental crisis. It highlights the illusions of sustainability and extreme privilege.

MARTIN FIGUEREDO
Tipping Points - The Point of no return. It is a seemingly hopeless situation where saving the world appears to be nothing more than a futile artistic endeavour destined to fail.

MARTIN LAMMERT
Tipping Points - The Point of no return. It is a seemingly hopeless situation where saving the world appears to be nothing more than a futile artistic endeavour destined to fail.

MARTIN LAMMERT
This illustration reflects the destructive impact of consumerism on our planet. Endangered animals and entire ecosystems are trapped in supermarket packaging, symbolising how nature has been reduced to a product. A line of guardians wearing sustainable clothing and solar-panel armor forms a living barrier, holding back the greedy hands of unchecked capitalism. The artwork highlights the urgent need to redefine our relationship with consumption and protect the planet’s boundaries before it is too late.

MAYA WENDORFF
This illustration reflects the destructive impact of consumerism on our planet. Endangered animals and entire ecosystems are trapped in supermarket packaging, symbolising how nature has been reduced to a product. A line of guardians wearing sustainable clothing and solar-panel armor forms a living barrier, holding back the greedy hands of unchecked capitalism. The artwork highlights the urgent need to redefine our relationship with consumption and protect the planet’s boundaries before it is too late.

MAYA WENDORFF
This watercolor painting depicts a silent courtroom where humans and animals sit across from each other, trying to uncover the true cause of the climate crisis. On the right, human activities—factories, refineries, and industrial farming—are pushing the Earth to its limits. On the left are livestock, known for producing methane, BUT they exist within a system built on human demand. The animals have shown up—because they can no longer wait. The grayscale crowd below represents future generations, silent witnesses to the consequences of our inaction. This artwork is not just a warning—it’s a call for shared responsibility, before it’s late.

NAJMEH DELARA
This watercolor painting depicts a silent courtroom where humans and animals sit across from each other, trying to uncover the true cause of the climate crisis. On the right, human activities—factories, refineries, and industrial farming—are pushing the Earth to its limits. On the left are livestock, known for producing methane, BUT they exist within a system built on human demand. The animals have shown up—because they can no longer wait. The grayscale crowd below represents future generations, silent witnesses to the consequences of our inaction. This artwork is not just a warning—it’s a call for shared responsibility, before it’s late.

NAJMEH DELARA
This painting portrays a young girl holding a glowing bulb, symbolising knowledge and empowerment. Surrounding her are diverse hands connected by yellow strings, representing unity across races and generations in the fight against climate change. The bulb she holds suggests that when empowered, the youth can illuminate paths toward a sustainable future. The trash around her reflects today’s environmental challenges. This artwork delivers a powerful message: while children are often called the hope of the future, we must recognise that we are the hope of their future. It is our responsibility to act now—for them, and for what’s yet to come.

ORVEN MARANTAN
This painting portrays a young girl holding a glowing bulb, symbolising knowledge and empowerment. Surrounding her are diverse hands connected by yellow strings, representing unity across races and generations in the fight against climate change. The bulb she holds suggests that when empowered, the youth can illuminate paths toward a sustainable future. The trash around her reflects today’s environmental challenges. This artwork delivers a powerful message: while children are often called the hope of the future, we must recognise that we are the hope of their future. It is our responsibility to act now—for them, and for what’s yet to come.

ORVEN MARANTAN
This illustration addresses the impact of urbanisation, population growth, and human negligence on global warming and polar ice melting. By showing endangered Arctic animals in a city protesting alongside a child activist, the artwork creates a face-to-face confrontation between modern city life and the environmental crisis. It aims to awaken urban dwellers from their daily routine, urging them to recognise the ecological consequences of their actions and the urgent need to protect the Earth’s fragile ecosystems before irreversible damage occurs.

SHAQAYEQ NEMATI
This illustration addresses the impact of urbanisation, population growth, and human negligence on global warming and polar ice melting. By showing endangered Arctic animals in a city protesting alongside a child activist, the artwork creates a face-to-face confrontation between modern city life and the environmental crisis. It aims to awaken urban dwellers from their daily routine, urging them to recognise the ecological consequences of their actions and the urgent need to protect the Earth’s fragile ecosystems before irreversible damage occurs.

SHAQAYEQ NEMATI
As humanity expands, our cities consume green spaces. We pollute, destroy nature, cut down forests and poison our water. To save ourselves, we must save the nature. Let's bring the nature back into our homes, into our hearts…

VLADIMIR STANKOVSKI
As humanity expands, our cities consume green spaces. We pollute, destroy nature, cut down forests and poison our water. To save ourselves, we must save the nature. Let's bring the nature back into our homes, into our hearts…

VLADIMIR STANKOVSKI
The deception of the future.
This illustration warns us that if we do not take care of our planet today, if we do not use factories and production more responsibly, the climate on the planet will suffer, the average temperature will rise, and we may face a big drought. In this case our children and grandchildren will not be able to see beautiful fields, flowers and nature. Instead, they will have to use filters on their phones, just to have a photo against the background of the desert. Let's not let this happen!

YELENA YESPULOVA
The deception of the future.
This illustration warns us that if we do not take care of our planet today, if we do not use factories and production more responsibly, the climate on the planet will suffer, the average temperature will rise, and we may face a big drought. In this case our children and grandchildren will not be able to see beautiful fields, flowers and nature. Instead, they will have to use filters on their phones, just to have a photo against the background of the desert. Let's not let this happen!

YELENA YESPULOVA
Shield and blade protect the ball: the "Shield" represents the defense of the damaged ozone layer, the "Blade" is associated with the resilience of endangered animals and plants, and the "Ball" refers to the Earth itself.

ZHOU JIEYU
Shield and blade protect the ball: the "Shield" represents the defense of the damaged ozone layer, the "Blade" is associated with the resilience of endangered animals and plants, and the "Ball" refers to the Earth itself.

ZHOU JIEYU
动画视频组别

冠军

This short animation illustrates how building a sustainable future depends on the choices, actions, and behaviours of each individual. It emphasises that our presence and role are crucial, and together we can address climate change and shape a more sustainable world.

MOHAMMADALI SHARIFIAN DORCHEH
This short animation illustrates how building a sustainable future depends on the choices, actions, and behaviours of each individual. It emphasises that our presence and role are crucial, and together we can address climate change and shape a more sustainable world.

MOHAMMADALI SHARIFIAN DORCHEH

亞军

Whether for better or worse, the climate reacts in kind to how we treat it. If we want a future in our favour, we need to commit to actions that encourage a positive response from nature. Your actions should lean more toward protecting and rebuilding nature, rather than contributing to its decline.

KOMLAN EMMANUEL YEMEY
Whether for better or worse, the climate reacts in kind to how we treat it. If we want a future in our favour, we need to commit to actions that encourage a positive response from nature. Your actions should lean more toward protecting and rebuilding nature, rather than contributing to its decline.

KOMLAN EMMANUEL YEMEY

季军

This video showcases how electric cars are transforming sustainability. They are reducing emissions, advancing clean technology, and inspiring communities to adopt greener transportation. By embracing this innovation, we can drive meaningful climate action and move toward a cleaner, more sustainable future.

FLORENCE ANLIMAH ESSIEN
This video showcases how electric cars are transforming sustainability. They are reducing emissions, advancing clean technology, and inspiring communities to adopt greener transportation. By embracing this innovation, we can drive meaningful climate action and move toward a cleaner, more sustainable future.

FLORENCE ANLIMAH ESSIEN

恭喜所有得奖者！主办机构会以电邮通知得奖者有关奖项领取事宜。详情请浏览条款及细则。

比赛详情

促进创新解决方案，应对气候挑战

气候变化并非遥远的威胁——而是眼前的现实。 每拖延一刻，挑战便会更加严峻，但每一个行动，无论多么微小，都能带来改变。 我们每个人都能参与其中 —— 选择可持续的生活方式、减少碳排放及推动深层改革，我们的共同努力可以为未来铺路。 凭借当代科技的力量，个人行动足以引发全球改变。 只要我们齐心协力，就能扭转局势，为子孙后代守护绿色的明天。

「Art on Climate」国际插画比赛由十点子有限公司主办，安联投资赞助，旨在提升公众对有效应对气候变化的关注。

比赛现诚邀优秀插画家及视频创作人参与，以气候变化为主题进行创作，并借此作为交流平台以促进创新意念的分享，鼓励公众从日常生活中采取行动，携手应对气候变化所带来的挑战。

比赛主题： 气候变化
参赛资格： 18岁或以上*所有地区人士均可参与
报名时间︰ 2025年5月19日7月31日（包括首尾两天）
公布得奖名单︰ 2025年9月30日或之前
奖项︰ 有机会赢取高达2,000欧元*
参赛费用︰ 免费

* 详情请浏览条款及细则。

参赛步骤
动笔画画
关于气候变化，你能想到什么？立即动笔画出来吧！
储存作品
创作完成后，请将作品储存为指定格式。
报名及上传作品
请在网上填写报名表格并上传作品。
立即报名及上传作品
比赛详情

自2019年在西班牙首次举办以来，「Art on Climate」国际插画比赛已发展为全球瞩目的活动。 最初的地区性项目在过去六年已吸引来自世界各地的数千名艺术家。 于2024年，比赛收到来自100多个地区、超过2,400位插图画家的3,000多件作品。 延续去年的成功，插画比赛今年继续在亚太区举辧，汇聚专业插画家与新锐人才，运用创意向世界各地推广气候变化的重要性。

赞助机构安联投资自20多年前已是全球可持续投资领域的先驱，我们一直致力提倡可持续发展，并体现于我们的使命及决策当中。 作为2007年首50家签署联合国《责任投资原则》（UN PRI）的资产管理公司之一，我们将可持续发展原则深入整合至业务的每个层面，包括投资、尽职治理及营运。 凭借这份承诺，我们致力推动金融领域的正面变革，同时为客户及整体社区带来持久的价值。 我们诚邀各界参与「Art on Climate」比赛，携手缔造可持续的未来。

比赛主题

参赛者须以”气候变化”为主题，提交原创作品，并须参考以下一个或多个主题进行构思：

  1. 打造强韧社区应对气候挑战
    气候变化是当前一大挑战，对环境、社会及治理（ESG）层面影响深远。 为应对日益加剧的风险，社区的风险抵御能力至关重要，这不仅能协助我们应对当前威胁，也为未来的不确定性做好准备，确保可持续发展。
  2. 守护地球 界定环境承载限制
    为维护地球的稳定与健康，我们需明确界定人类在环境中活动的限制，减少对生物多样性的影响。 尊重这些界限有助我们采取负责任的行动，减轻对生态系统造成不可逆转的伤害，并避免在应对气候变化时引发意外后果。
  3. 推动共融资本主义 开创可持续未来
    共融资本主义致力平衡财务回报与社会影响力，推动企业及投资者重视长期价值创造、环境可持续性及社会责任。 继气候变化后，共融性成为公众焦点，促使我们提出创新方案，以满足年轻世代的期望，共建更包容平等的社会。
  4. 拥抱科技 创新可持续方案
    先进科技是推动可持续发展与应对气候挑战的关键。 透过创新技术，我们能鼓励大众积极改变日常生活，共同建设一个更美好的未来。
  5. 团结合作 合力应对气候变化
    为有效应对气候变化，我们必须团结一致追求可持续目标。 采纳可持续做法、改变生活方式并分享知识与资源，将推动集体转变，减缓气候变化，为所有人创建更可持续的未来。
作品要求
  • 参赛作品必须为参赛者以个人名义提交的原创作品，并须配合比赛主题
  • 每名参赛者最多可提交三份参赛插画及三支动画视频
  • 参赛作品不得于参加本比赛前被发表或作其他用途，不得曾获奖项、或正在参加其他比赛评选
  • 不可于作品上添加签名，或任何能识别参赛者身份的文字、符号、图片，或适用于动画视频的旁白
  • 每份插画及动画视频请提交一段文字说明（最少30字，最多100字）

插画组别

  • 参赛作品必须为彩色平面
  • 创作媒介不限（如手绘、电脑绘画、混合素材），但不接受任何使用人工智能生成的创作，禁止使用照片或电脑软件上的图案/剪贴画（clip art）
  • 参赛作品的尺寸必须为A3（297毫米x 420毫米），直、横式均可
  • 参赛作品格式必须为JPG，分辨率不低于300 dpi，文件大小不超过10MB

动画视频组别

  • 参赛动画视频时长需控制在 10 至 15 秒之间
  • 长宽比为9:16（垂直格式，分辨率最低要求为1080x1920像素)，或 1:1（方形格式，分辨率最低要求为1080x1080像素)
  • 参赛作品必须以 MP4 或 MOV 格式上传，且每部动画视频的总文件大小不可超过 30MB。
  • 可以使用任何制作技术或工具，但作品必须保证原创性
  • 视频应该配备背景音乐，且所用音乐不得涉及版权问题
  • 不可添加旁白。影片上的任何文字（包括但不限于字幕、副标题等）都必须使用英文
评审团
马特·克里斯滕森 先生
(Matt Christensen)
安联投资
全球可持续及影响力投资总监

Matt Christensen自2020年加入安联投资，担任全球可持续及影响力投资总监，负责加快推动影响力投资的成长，使其成为公司日益壮大的私募市场平台中，不可或缺的一环。

与此同时，在Matt的领导下，安联投资持续地将ESG因素融入到现有的公开市场产品，当中包括尽职治理活动、并支持开发全新的社会责任投资（SRI）产品。 此外，Matt还负责公司影响力投资的投资监督工作。

游勇先生
十点子有限公司
董事

游勇先生为十点子有限公司创办人、”Art on Climate”国际插画比赛的主办机构负责人。

邹超先生
新加坡亚洲艺术协会
主席

邹超，毕业于新加坡国立大学李光耀公共政策学院，曾在网易、腾讯等知名互联网公司工作，目前担任新加坡亚洲艺术协会主席。他将自己的多元背景与对艺术的热爱相结合，致力于推动“生活中处处是艺术”的理念。他深信，艺术不应局限于画廊和舞台，而应渗透到我们日常生活的方方面面，成为生活的一部分，激发人们对美的感知与追求，并推动社会进步。

刘绍增先生
香港插画师协会
专业会员

Benny Lau 是一位屡获殊荣的设计师，涉猎多个领域，既是一位经验丰富的绘本画师，也是独具创意的绘本作者。

Benny 还是一位活跃的创意教育工作者和社会创新设计师，他是”澳门儿童馆”的共同创办人，也创立了”好一天绘本见”社区发展项目。

刘睿龙先生
台湾插画师协会
理事长

刘睿龙先生为台湾插画师协会及亚洲插画协会理事长、台湾知名插画家，致力推广插画艺术。他从2015年起作为总召集人举办”亚洲插画年度大赏”，该展览由台北华山文创园区开始，到台中、台南、桃园，以至神户、吉隆坡和上海等地，已成为亚洲插画界首屈一指的盛事之一。

刘祉君女士
祉涧视觉艺术工作室
创办人

刘祉君，一个建造奇幻世界的插画师。

她在上海成立了自己的工作室 – 祉涧视觉艺术工作室，主营广告插图、主视觉插图、概念插图等插画设计，以及插画为主的品牌视觉设计。

评审准则
插画组别
50 分
创意、质量和艺术性
40 分
贴合主题
10 分
文字说明内容
动画视频组别
40 分
创意、质量和艺术性
40 分
贴合主题
10 分
制作技巧
10 分
文字说明内容
奖项及展览

所有得奖者将通过电子邮件获发订制的电子奖状

优胜插画作品及动画视频将于网上作品展中展出

插画组别#
x1
冠军
电子奖状及奖金2,000欧元
x1
亚军
电子奖状及奖金1,500欧元
x1
季军
电子奖状及奖金1,000欧元
x20
优异奖
电子奖状及奖金150欧元
动画视频组别^
x1
冠军
电子奖状及奖金2,000欧元
x1
亚军
电子奖状及奖金1,500欧元
x1
季军
电子奖状及奖金1,000欧元

# 评审团将根据总分为100分的评分标准，选出最高分数的23名得奖者，当中最高分数者将依次获得冠军、亚军和季军，其余20名将获优异奖

^ 评审团将根据总分为100分的评分标准，选出最高分数的3名得奖者，当中最高分数者将依次获得冠军、亚军和季军



立即报名及上传作品

如有任何疑问，请联络主办机构 – 十点子有限公司︰artonclimate@fingertips.hk

比赛条款及细则
  1. 参赛者必须在报名表格上提供真实和正确的资料，如被认为有失实或遗漏，十点子有限公司（”主办机构”）保留权利取消其参赛作品的参赛资格。
  2. 参赛者于2025年5月18日当日的年龄须为18岁或以上，才符合资格参赛。
  3. 安联环球投资亚太有限公司（”赞助机构”）及／或其关联公司、主办机构及／或其关联公司的员工，及与该等员工居住在同一住所的人士，均不能参赛。
  4. 参赛作品必须为参赛者以个人名义提交及从未发表的原创作品。如参赛作品被主办机构认为涉及抄袭、著作版权侵犯及／或违法行为，其参赛资格将被取消。
  5. 主办机构保留全权及绝对酌情权作出判断，如参赛作品包含危险、粗俗、冒犯、不雅、淫秽、非法、种族主义、色情、暴力、诽谤、贬低、不适当、有争议，或政治宣传的内容，将被取消参赛资格。
  6. 参加比赛的风险由参赛者自行承担。在法律允许的范围内，主办机构和赞助机构均不会对参赛者或任何第三方，因由比赛引起或相关，及／或因接受奖品而遭受的任何损害、损失、责任、成本、费用或索赔（无论是合同、侵权或其他方式）承担任何责任。
  7. 参赛费用全免，惟所有涉及之制作及提交作品等费用一概由参赛者承担。
  8. 每名参赛者最多可提交三份插画作品及三支动画视频，但最多只能获得其中一项奖项。额外提交或逾期提交的作品将不获受理。
  9. 作品一经提交，任何情况下均不能更换。
  10. 不完整、难以辨认、误导或逾期提交的参赛作品将不获受理。发送证明不会被视为送达或收据的证明。对于不完整、由于技术原因丢失、损坏、延迟、错误提交或因任何原因未收到的参赛作品，主办机构不承担任何责任。
  11. 如主办机构认为参赛者显然以任何方式规避上述条款及细则，例如但不限于使用多个电子邮件帐户、多次复制或电脑合成作品、使用多个身份、欺诈性地伪造数据、涉及欺诈或不诚实行为，或以其他方式违反条款及细则，参赛者将被取消参赛资格，任何获得奖品的权利将无效。
  12. 比赛结果以评审团之最后决定为准，参赛者不得异议。主办机构保留全权及绝对酌情权，以撤销参赛者或参赛作品的参赛资格，及／或撤回奖品。
  13. 比赛结果将于2025年9月30日或之前公布，主办机构将透过参赛者在报名时提供的电邮地址通知得奖者。参赛者须提供有效电邮地址，因此为主办机构联络参赛者的唯一渠道，参赛者应检视其电邮收件箱（包括垃圾邮件箱）。
  14. 奖品将以欧元，以现金形式，透过电汇发放至得奖者的银行帐户。当主办机构向得奖者发出电邮通知，得奖者须于该电邮日期的一个月内，向主办机构提供以下资料：身份证明文件副本，以及得奖者为帐户唯一持有人的银行帐户资料。如得奖者未能在此期限内提供所需资料，该得奖者将被视为放弃奖品，主办机构保留撤回奖品的权利。现金奖品将在主办机构收到所有所需资料后两星期内汇入上述银行帐户。
  15. 得奖者有责任在提供接受奖品资料时，提交正确及最新的详细资料。对于任何因得奖者未能提供准确资料而影响奖品接收或发放的情况，主办机构或赞助机构均不会承担任何责任。
  16. 现金奖品将以欧元发放，得奖者须提供以欧元计价帐户的资料，以获得现金奖品。否则，欧元现金奖品将以汇款当日应用的汇率，兑换成得奖者银行帐户的计价货币，因此，有可能会受汇率波动、税项及其他适用的费用和收费影响。
  17. 主办机构将负担汇款费用，惟得奖者将负担（如有）其他相关费用和税金、帐户所属银行收取的衍生费用，及其他银行所在地因相关财务程序产生的费用。主办机构将在完成汇款后通知得奖者，但得奖者收取现金奖品的时间可能取决帐户所属银行的处理流程和其所在地的财务程序。
  18. 主办机构保留权利核实得奖者并要求提供身份、年龄、地址和其他资料证明，并在有合理理由认为存在违反条款及细则的情况下撤回奖品。
  19. 主办机构、赞助机构，及其关联公司保留权利将提交的作品全部或部分复制、发布、或使用，包括但不限于推广宣传、展览、教育用途，而毋须取得参赛者之同意或缴付任何费用。
  20. 参赛者同意其作品，以及其姓名及所提交的文字说明，可能会于网上作品展中供公众浏览，而不会获缴付任何费用。
  21. 参赛者参加比赛，即授权主办机构、赞助机构及其关联公司在全球范围内，有永久的、不可撤销的、非独占的、可转让的、免版税的、可转授的权利和许可，以使用、复制、修改、改编、发布或展示（全部或部分）其作品中包含的任何知识产权，而无需版税、付款或其他补偿。每位参赛者均同意不再主张对此类使用享有任何精神权利，并保证他们拥有授予此等权利的全部权利。
  22. 主办机构保留解释及修订比赛规则，和条款及细则的权利，而毋须作事先通知。
  23. 参赛作品一经递交，即表示参赛者同意遵守比赛的条款及细则。
  24. 所收集之个人资料只供比赛之用，包括但不限于联络参赛者及发放奖品，资料（包括参赛者的个人资料）将由主办机构于比赛结束后保留六个月，之后会被销毁。
  25. 如果发生超出主办机构合理控制范围并妨碍主办机构遵守条款和细则的行为、遗漏、事件或情况，主办机构将不对任何未能履行或延迟履行其义务承担责任。
  26. 对于系统错误或其他可能导致接收参赛作品及／或向得奖者发送通知或奖品的中断、延迟或失败的问题，主办机构不承担任何责任。
  27. 如本条款及细则的任何条款被确定为非法、无效或无法执行，则应将其从本条款及细则中分离和删除，其余条款及细则将继续有完全效力。
  28. 主办机构和赞助机构保留权利，在其合理控制范围以外的任何不可预见情况或技术原因下，取消、修改、撤回、终止或暂时中止比赛，而毋须对任何参赛者或第三方承担任何责任。
  29. 如条款与细则与任何其他通讯（包括但不限于广告或推广材料）有任何冲突或不一致，将以条款及细则为准。参赛者将被视为已接受并受此等条款及细则所约束。
  30. 如条款及细则的英文版本与其他翻译版本存有歧异，均以英文版本为准。
  31. 如比赛引发的任何争议（包括但不限于有关条款及细则的解释和适用的争议），主办机构的决定将是最终的、决定性的和具有约束力。
  32. 比赛和条款及细则，以及由此产生的任何争议，均受香港法律和香港法院的非专属管辖。


Terms and conditions
  1. Participants must provide true and accurate information on the entry form. Fingertips Company Limited (the “Organiser”) reserves the right to disqualify any entries in cases where, in our opinion, any information provided is inaccurate or has been omitted.
  2. To be eligible for participation, participants must be aged 18 or above as of 18 May 2025.
  3. Employees of Allianz Global Investors Asia Pacific Limited (the “Sponsor”) and/ or its affiliates, the Organiser and/ or its affiliates, and all those living in the same households as those employees are not eligible to participate in the competition.
  4. All entries must be original, submitted on an individual basis, and have not been previously published on any occasion. An entry will be disqualified if the participant is considered by the Organiser to have committed plagiarism, infringement of copyrights and/or violation of any laws.
  5. Any entries that the Organiser considers, in its sole and absolute discretion, that it contains material that is dangerous, vulgar, offensive, indecent, obscene, illegal, racist, pornographic, violent, defamatory, disparaging, inappropriate, controversial or that promotes political interests will be disqualified.
  6. Entry into the competition is at the participant’s sole risk. To the extent permitted by law, none of the Organiser and the Sponsor accepts any responsibility for any damage, loss, liabilities, costs, expenses or claims (whether in contract, tort or otherwise) suffered by participants or any third parties arising out of or in connection with the competition and/or accepting a prize.
  7. No entry fee is required. However, participants are solely responsible for all expenses incurred in preparing and submitting their work(s).
  8. Each participant may submit up to a maximum of three (3) illustrations and three (3) animated videos, but would only be entitled to one of the prizes. Additional or late entries will not be accepted.
  9. No substitution of work will be allowed under any circumstances once the entry has been submitted to the competition.
  10. Incomplete, illegible, misdirected or late entries will not be accepted. Proof of sending will not be accepted as proof of delivery or receipt. No responsibility can be accepted for entries that are incomplete, lost due to technical reasons, corrupted, delayed, wrongly delivered, or not received for whatsoever reason.
  11. If it becomes apparent that a participant is using any means to circumvent the above conditions such as, and without limitation, multiple email accounts, multiple reproduced or computer-generated entries, using multiple identities, fraudulently falsifying data, acting fraudulently or dishonestly in the opinion of the Organiser or otherwise acting in violation of these Terms and Conditions, these participants will be disqualified, and any prize entitlement will be void.
  12. The results of the competition are subject to the final decision of the panel of judges. No objections by participants will be entertained. The Organiser retains the right at its sole and absolute discretion to revoke the participants’ or their works’ qualifications and/or withdraw their prizes.
  13. The result of the competition will be announced by 30 September 2025 and the Organiser will notify the winners by email via the email address provided by the participant at the point of entry. Participants must provide a valid email address as this is the sole channel for the Organiser to contact the participants. Participants should check their email inbox (including the junk and spam mail folders).
  14. The prize will be presented in form of cash in Euro by wiring to the winners’ bank account. Once the Organiser has sent out notifications of prize-winners by email, the winners need to provide the following information to the Organiser within one (1) month from the date of the Organiser’s email: a copy of their identification document together with the bank account details of an account where the winners are the sole account holders. If a winner fails to provide the required information within this timeframe, such winner will be deemed to have waived the entitlement to the prize and the Organiser reserves the right to withdraw prize entitlement. Once the Organiser has received all the required information, the cash prize will be remitted to the bank account mentioned above within 2 weeks.
  15. It is the responsibility of a winner to provide correct, up-to-date details when providing their information for the acceptance of the prize. None of the Organiser or the Sponsor can be held responsible for any winners failing to supply accurate information which affects prize acceptance or delivery of their prize.
  16. The cash prize will be issued in Euros. Winners should provide details of their bank account denominated in Euro to receive the cash prize. Otherwise, the cash prize in Euros will be converted into the denominating currency of the winners’ bank account at the exchange rate applicable on the date of the remittance and may therefore be subject to exchange rate fluctuations, taxes and other applicable fees and charges.
  17. The Organiser will be responsible for all remittance fees, while the winners will be responsible for, if any, other relevant fees and taxes, derivative costs charged by the account holding bank and other charges arising from the relevant financial procedures in the location of the bank. The Organiser will notify winners when the remittance process has been completed, but the time at which winners receive their cash prize may be subject to the administration process of the account holding bank and the financial procedures operating in their specific locations.
  18. The Organiser reserves the right to verify winners and ask for proof of identity, age, address and other information provided by the participants and to withdraw prize entitlement where there are reasonable grounds to believe there has been a breach of these Terms and Conditions.
  19. The Organiser, the Sponsor and their affiliates reserve the right to copy, publicise or make use of the submitted works in full or in part and in any form, including but not limited to promotion, exhibition, education purposes, without the consent of the participants or payment of fees of any kind.
  20. Participants agree that their works may be put on display in a virtual exhibition for public viewing, together with their names and the short description provided without any fee being payable.
  21. By entering the competition, each participant grants the Organiser, the Sponsor and their affiliates a world-wide, perpetual, irrevocable, non-exclusive, transferable, royalty free and sub-licensable right and licence to use, reproduce, modify, adapt, publish or display (in whole or in part) any intellectual property contained in the content of their works, without royalty, payment or other compensation. Each participant agrees not to assert any moral rights in relation to such use and warrants that they have full authority to grant such rights.
  22. The Organiser reserves the right to interpret and amend the rules, and the Terms and Conditions of the competition, without prior notice.
  23. Upon submission of entries, participants agree to abide by the Terms and Conditions of the competition.
  24. All information collected by the Organiser is for the purpose of the competition only, including but not limited to, contacting participants and distributing prizes. The information (including the personal information of participants) will be kept for six (6) months by the Organiser after the end of the competition, after which it will be deleted.
  25. If an act, omission, event or circumstance occurs which are beyond the reasonable control of the Organiser and which prevents the Organiser from complying with these Terms and Conditions, the Organiser will not be liable for any failure to perform or delay in performing its obligation.
  26. The Organiser accepts no responsibility for system errors or other issues that may result in disruption to, delay or failure in receiving entries and/or sending notifications or prizes to winners.
  27. If any clause of these Terms and Conditions should be determined to be illegal, invalid or otherwise unenforceable then it shall be severed and deleted from these Terms and Conditions and the remaining clauses shall survive and remain in full force and effect.
  28. The Organiser and the Sponsor reserves the right to cancel, amend, withdraw, terminate or temporarily suspend this competition in the event of any unforeseen circumstances or technical reason outside their reasonable control, with no liability to any applicants or third parties.
  29. These Terms and Conditions prevail in the event of any conflict or inconsistency with any other communications, including without limitation, advertising or promotional materials. Participants will be deemed to have accepted and be bound by these Terms and Conditions.
  30. In the event of any inconsistency between the English and translated versions in these Terms and Conditions, the English version will prevail.
  31. In the event of any dispute in respect of or arising from the Competition (including without limitation, dispute concerning the interpretation and application of these Terms and Conditions), the decision of the Organiser will be final, conclusive, and binding.
  32. The competition and these Terms and Conditions, and any disputes arising therefrom, shall be subject to Hong Kong law and the non-exclusive jurisdiction of the Hong Kong courts.
主办机构

4454772

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